MUSIC
NEVER FIND LOVE
Released by Sony on 27th September 2024
This is the story of a lady who isn’t impressed with all the gifts this man is trying to bestow upon her. To buy her affections, her love and to own her. She will not be bought, she will not be paid for her love.
The fast cars, the money, the expensive lifestyle, the yachts, the planes, trinkets, rings. She rejects all the trappings of him buying and owning her mind body and soul.
She tells him frankly he doesn’t know how to treat her, doesn’t know how to love her or to love anything.
She has tried to love him but it isn’t working out.
He tries to absorb her money to control her.
He was overwhelming her, trying to possess her, she is smothered and tells him how it is.
She must leave, tells him he is incapable of love and how far apart their worlds are.
You can’t buy love.
BADLANDS
Released by Sony on 15th November 2024
‘Badlands‘ tells the story of a man, breaking the chains of his mundane life and striving for a better path in search of happiness and security.
It follows his journey as he has a true ‘coming of age’ moment and awakening into his new environment, facing and successfully overcoming all challenges that he faces
GET ME THERE
Released by Sony on 18th April 2025
‘Get Me There’ tells the story of a restless dreamer—an American man trapped in the monotony of a small-town life. Stuck in a dead-end routine with no real prospects, he’s surrounded by expectations he never signed up for: a life with a woman he doesn’t love, children he wasn’t ready for, and the endless grind of scraping by just to pay the bills. He longs for something bigger, brighter—a life beyond the limits of what his parents knew.
Driven by desperation and hope, he hops a boxcar bound for New York City, chasing the promise of something more. The city hits him like a lightning bolt—neon signs, high-rises, streetcars, and the chaotic beauty of Times Square, Broadway, and Central Park. It’s a whirlwind of freedom, excitement, and opportunity
As he explores the streets, he meets a captivating woman who becomes the spark for his transformation. Their connection fuels his ambition, pulling him from the edge and into a new life. He starts hustling in the world of stocks and shares, climbing from rock bottom to something real—driven by love, passion, and the pulse of the city that finally gets him there.”
RED SHOES
Released by Sony on 16th May 2025
‘Red Shoes’ is a raw, soulful track that walks the line between blues, rock, and storytelling grit. It follows the life of a woman who turns heads in red heels and a killer dress, but behind the glamour lies a darker truth. Trapped in an abusive relationship and lost in a world that only sees her surface, she struts through backstreets with a strength few recognize.
The song blends smoky vocals, haunting riffs, and vivid lyricism to paint the picture of survival, seduction, and silent suffering. With a chorus that aches … “Now and then he lays a hit on you, and I’d really like to pull you through”…the track gives voice to the ones who shine in public but break in private. The bridge hints at a dream of freedom, love, and rainy train-station escapes.
‘Red Shoes‘ is more than a song, it’s a quiet rebellion, a plea, and a tribute to the ones who keep walking through the fire, night after night.
RED SHOES
Verse 1
Put on your red shoes honey, click those high heels every night
Put on that red dress momma, shape those curves that suit you right
He’ll be your bad boy baby, an’ he’ll love you every night
You strut those backstreets lady, cos you have to every night
Chorus
Now and then he lays a hit on you, and I’d really like to pull you through
That’s alright, ooh that’s alright
Verse 2
Flash those dark eyes honey, make them talk, most every night
All those eyes undress you, they won’t ever treat you right
Chorus
Now and then he lays a hit on you, and I’d really like to pull you through
That’s alright, ooh that’s alright
Verse 3
You say you’re stone cold sober, but I know that look in your eyes
Don’t you play with that fire, cos you’ll end up burning in lies.
Chorus
Now and then he lays a hit on you, and I’d really like to pull you through
That’s alright, ooh that’s alright
You shine out in a crowd, so bright, so proud
You’re controlled by that man, I’d release if I can
You’re just hanging around, you just need to be found
Maybe you’d take a train, and we’d meet—-in the rain, in the rain
Chorus
Now and then he lays a hit on you, and I’d really like to pull you through
That’s alright, ooh that’s alright, ooh that’s alright, that’s alright
SHOW ME
Released by Sony on 22nd August 2025
‘Show Me’ is a high-octane, rebellious rock anthem that follows the frantic escape of a criminal who is determined to avoid justice. Blending punchy guitar riffs and driving drums with a snarling vocal delivery, the track captures the desperation, denial, and defiance of a man running from the consequences of his actions.
The first verse kicks off with a surge of adrenaline, inviting the listener into a dangerous game of impulse and abandon. It is a different kind of meeting where the stakes are high and the rules no longer apply. It marks the beginning of a chase, both literal and psychological.
The chorus is a repeated dare: “Well if you can, show me.” It is a taunt to those hunting him and a challenge to the world to prove who he really is beneath the headlines. It pulses with tension and ego, serving as a battle cry from someone refusing to be defined by accusation.
In the second verse, the pressure mounts. Blame is closing in, but he mocks the wanted posters and distances himself from the image they have created. With a nasty reputation that he fully leans into, he books a flight out, choosing escape over accountability and freedom over guilt.
By the third verse, a darker edge begins to show. He confesses to his crimes, but with chilling detachment — “maybe couldn’t help it, when I fired that gun.” There is no remorse, only a cold focus on staying ahead. As the jet cuts through the sky, the only plan is survival.
‘Show Me’ is a gritty character study. Part outlaw tale, part twisted manifesto, it is layered with defiance, denial, and a relentless beat that mirrors the ticking clock of his escape. It leaves listeners asking whether he is running from justice or from himself.